Unspoken Cinema

What films reveal without meaning to.

Category: Russian Cinema

  • The Room at the End

    The Room at the End

    Three Men Walk Toward Everything They Want. None of Them Goes In. A Dossier on Stalker (Andrei Tarkovsky, 1979) THE DEPARTURE The world outside the Zone is shot in sepia. Not the warm sepia of nostalgia but the dead sepia of exhaustion — industrial, damp, colourless. A man lies in bed with his wife and…

    Continue Reading